Throughout literature, the term "tramp" is used in a variety of nuanced ways, ranging from a label for the itinerant, socially marginalized individual to a descriptor of rhythmic, often mechanical movement. In some works, it appears as a noun denoting a vagabond or wanderer—a figure of both pity and disdain—such as when an angry character quickens his "tramp" [1] or a peasant identifies himself as a tramp [2]. On the other hand, "tramp" also evokes a steady, measured noise accompanying movement, as seen in the description of disembodied hoofbeats or distant footsteps [3, 4, 5]. Authors use the term to imbue their narratives with a dual sense of physical journeying and emotional momentum, highlighting both the social derision attached to vagrancy [6, 7] and the rhythmic pulse of life itself [8, 9].