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Literary notes about stunning (AI summary)

The word "stunning" in literature wears many hats. At times it captures breathtaking beauty or visual brilliance—describing a dress that turns heads or vivid colors that dazzle the eye ([1], [2], [3]). In other moments, it conveys the force of physical impact—a powerful blow or the sudden shock of an explosion that overwhelms the senses ([4], [5], [6]). Moreover, "stunning" is employed to mark moments of revelation or transformation, where the effects on characters are as abrupt and profound as they are awe-inspiring ([7], [8], [9]). This versatile term, therefore, enriches the narrative by evoking both the spectacle of beauty and the drama of raw force.
  1. Wear that gown morning, noon and night; it’s stunning.”
    — from The Man Thou Gavest by Harriet T. (Harriet Theresa) Comstock
  2. “You look stunning, dear—a wife of whom any man might be proud.
    — from The Brute by Frederic Arnold Kummer
  3. To be sure, Felicity was a stunning beauty.
    — from The Story Girl by L. M. (Lucy Maud) Montgomery
  4. The blood came rushing up into her throat and brain, choking her, stunning her, so that she gasped and staggered.
    — from The Shepherd of the North by Richard Aumerle Maher
  5. But from the other side came a stunning blow on the point of my jaw, and I heard Paul scream angrily, “Now will you keep away?”
    — from Moon-Face, and Other Stories by Jack London
  6. It struck poor Tom, point foremost, and with stunning violence, right between the shoulders in the middle of his back.
    — from Treasure Island by Robert Louis Stevenson
  7. The promise and the fulfilment differed so widely that the effect was stunning; he could not decide whether it was most tragic or most grotesque.
    — from The Prince and the Pauper by Mark Twain
  8. The stunning surprise of this reply nailed the hag’s feet to the floor where she stood, and almost took her breath.
    — from The Prince and the Pauper by Mark Twain
  9. The effect of the present revelation was stunning; he trembled and was on the verge of apoplexy.
    — from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet

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