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Literary notes about small (AI summary)

The word "small" functions as a versatile tool in literature, serving to both precisely describe physical dimensions and to convey nuance in abstract qualities. It may refer to tangible attributes, as when a narrow detachment succeeded in maneuvering around a flank [1], a modest suit-case hints at personal history [2], or a quaint village is portrayed in a setting [3]. At other times, it quantifies value or significance, marking slight yet meaningful quantities such as small change extracted from a pocket [4] or a small insight that promises deeper reflection [5]. Whether delineating a physical space like a small grassy plot [6] or accentuating a character’s modest presence [7], the adjective "small" enriches narrative texture by drawing attention to elements that, though diminutive in stature, often carry enormous weight in meaning.
  1. At Mayence the lines were attacked in front, only a small detachment having succeeded in passing around the right flank.
    — from The Art of War by baron de Antoine Henri Jomini
  2. Her lips were set grimly together, and she carried a small suit-case.
    — from The Mysterious Affair at Styles by Agatha Christie
  3. To the right, beyond a steep ravine, was a small village and a landowner’s house with a broken roof.
    — from War and Peace by graf Leo Tolstoy
  4. He turned it all out of his pockets; even the small change—two pieces of twenty copecks—he pulled out of his waistcoat pocket.
    — from The Brothers Karamazov by Fyodor Dostoyevsky
  5. I lay claim to no higher gift than a small insight into the glorious art of petitioning and thanksgiving, as practiced in psalmody.”
    — from The Last of the Mohicans; A narrative of 1757 by James Fenimore Cooper
  6. It had a large bay window bulging out from the second floor, and was graced in front by a small grassy plot, twenty-five feet wide and ten feet deep.
    — from Sister Carrie: A Novel by Theodore Dreiser
  7. The person addressed was the barin's servant—a round-cheeked young fellow with small, dull eyes and a chin adorned with a tuft of pale-coloured down.
    — from Fathers and Sons by Ivan Sergeevich Turgenev

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