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Literary notes about real (AI summary)

The word “real” in literature functions as a versatile marker of authenticity, substance, and concrete existence, often contrasting what is genuine with that which is superficial, imagined, or idealized. For instance, it is used to demarcate a system that is not merely symbolic or abstract but has tangible metaphysical import—as in the discussion of religion where one is “in any real sense” using a term that transcends superficial labels ([1]). Likewise, characters and narratives employ “real” to emphasize the value of tangible experiences and authentic emotions, whether it be the yearning for real things ([2]), the distinctness of real love versus its pretensions ([3], [4]), or real evidence that underpins truth ([5]). In other contexts, “real” helps delineate between appearances and substance, be it in defining true character ([6]), actual influence ([7]), or the genuine fabric of everyday life ([8]). Thus, across a wide range of literary examples, “real” operates as a linguistic tool to call attention to the essence behind mere appearances.
  1. In a word, this one of the many Buddhisms of Asia is vastly less a religion, in any real sense of the word, than a system of metaphysics.
    — from The Religions of Japan, from the Dawn of History to the Era of Méiji by William Elliot Griffis
  2. One wants real things then.
    — from Anne of Avonlea by L. M. Montgomery
  3. 9, 16, 2, real love and pretended love cannot easily be told apart .
    — from A Latin Grammar for Schools and Colleges by George Martin Lane
  4. If ever I witnessed real love, I then saw it impressed upon Don Christoval's countenance!'
    — from The Monk: A Romance by M. G. Lewis
  5. There is no real evidence.
    — from Project Gutenberg Compilation of Short Stories by Chekhov by Anton Pavlovich Chekhov
  6. He’s a real man.”
    — from Howards End by E. M. Forster
  7. And perhaps he was the only person at that time who had any real influence over me.
    — from Project Gutenberg Compilation of Short Stories by Chekhov by Anton Pavlovich Chekhov
  8. I must go back to London and get some impressions of real life.
    — from The Portrait of a Lady — Volume 1 by Henry James

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