The term “production” in literature is employed in a remarkably diverse range of contexts and fields. In some works it denotes tangible, quantifiable output—from the measurement of agricultural or industrial yields, such as coffee and zinc production ([1], [2], [3]), to the detailed accounting of harvests and manufacturing processes ([4], [5], [6]). In other texts, the word takes on a more abstract meaning, referring to the creative or intellectual output of an individual or society, as seen in discussions of art, poetry, or even the evolution of ideas ([7], [8], [9]). Additionally, philosophical and scientific writings use “production” to describe natural processes and human expression—illustrating everything from the generation of energy ([10]) to the transformation of species over time ([11], [12], [13]). This broad range of applications highlights the word’s adaptability as a concept that links the concrete to the abstract across literature.