In literature, “pity” emerges as a multifaceted term that reflects a spectrum of human emotion—from compassion and empathetic sorrow to moral judgment and self-reflection. In sacred texts such as those found in [1] and [2], pity is often linked with divine mercy or righteous condemnation, while in philosophical treatises, it becomes a means of exploring inner conflict and societal decay, as seen in [3] and [4]. Shakespeare, for instance, deploys the word with nuanced irony to capture both deep empathy and the reproach of societal failings ([5], [6], [7]). Romantic and realist narratives further employ “pity” to evoke sympathy for personal misfortune or to critique hypocritical social attitudes, as evidenced by passages in [8], [9], and other works. In this way, “pity” functions as a literary device that encapsulates the complexity of compassion and the often ambivalent response it inspires in both individuals and communities.