Literary notes about piteous (AI summary)
The term "piteous" is often used to evoke a deep sense of sorrow, sympathy, or pathetic vulnerability in literature. In works by Tolstoy, it captures the quiet despair and expressive melancholy of characters, as seen when a parting glance or a restrained gesture hints at subduing grief ([1], [2]). Similarly, Shakespeare employs the word to underscore tragic suffering and to intensify the emotional tone, whether in a touch of humor or profound lament ([3], [4]). Other authors extend its use to both the dramatic and the grotesquely comic—from moans and cries in epic narratives to subtle, contorted expressions of anguish, as depicted in the works of Mark Twain, Virgil, and others ([5], [6], [7]). In each instance, "piteous" enriches the text by drawing the reader into the raw, empathetic core of human experience.
- And he recalled the timid, piteous expression with which Anna had said to him at parting: “Anyway, you will see him.
— from Anna Karenina by graf Leo Tolstoy - But his face was so piteous, that she restrained her vexation, and flinging some clothes off an armchair, she sat down beside him.
— from Anna Karenina by graf Leo Tolstoy - Be collected: No more amazement: tell your piteous heart There’s no harm done.
— from The Tempest by William Shakespeare - A piteous corse, a bloody piteous corse; Pale, pale as ashes, all bedaub’d in blood, All in gore-blood.
— from Romeo and Juliet by William Shakespeare - Immediately they heard a loud, piteous cry.
— from Grimms' Fairy Tales by Jacob Grimm and Wilhelm Grimm - It was almost piteous to see the rapid change.
— from Cranford by Elizabeth Cleghorn Gaskell - was all he said for a minute; then, turning to the women with an appealing look that was comically piteous, he added, "Take 'em quick, somebody!
— from Little Women; Or, Meg, Jo, Beth, and Amy by Louisa May Alcott