Literary notes about pantheon (AI summary)
The word “pantheon” in literature has been used in a variety of ways, reflecting both its literal and metaphorical dimensions. In many texts, it denotes a collection of deities—exemplified by the frequent references to Moor's Hindu Pantheon in discussions of sacred ritual and symbolism [1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13]—while in other contexts it represents a majestic assembly of honored figures, as in descriptions of the Pantheon of Great Men in historical works [14, 15, 16, 17] or even as a symbolic temple of all immortal entities [18]. Additionally, the term has also been applied to grand architectural marvels, such as the Roman Pantheon, thereby linking sacred tradition with cultural heritage [19, 20, 21].
- 6 is a Hindoo sectarial mark, from Moor's Hindu Pantheon .
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - 3 is from Moor's Hindu Pantheon .
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - 3 is a Hindoo sectarial mark, copied from Moor's Hindu Pantheon , and is one out of many indicating the union of the male and female.
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - IMG Figure 133 is copied from Moor's Hindu, Pantheon , pi.
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - 1, of Moor's Hindu Pantheon .
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - See Moor, Hindu Pantheon , pp. 898, 894. Figure 112.
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - See Moor's Hindu Pantheon , and Coleman's Mythology of the Hindus .
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - It is copied from Moor's Pantheon , plate xxx.
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - IMG Figures 107, 108, 109, are copied from Moor's Hindu Pantheon , plate lxxxiii.
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - Is a representation of Siva, taken from Moor's Hindu Pantheon , plate xiii.
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - Figures 139 to 158 are copied from Moor's Hindu Pantheon ; they are sectarial marks in India, and are usually traced on the forehead.
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - " See also Moor's Hindu Pantheon , plate xxii, pp. 68, 69, 70.
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - 10 is a copy of plate 59, Moor's Hindu Pantheon, wherein it is entitled, "Crishna nursed by Devaki, from a highly finished picture."
— from Ancient Pagan and Modern Christian Symbolism by Thomas Inman and M.R.C.S.E. John Newton - Mirabeau lies dead, in the Pantheon of Great Men.
— from The French Revolution: A History by Thomas Carlyle - On Thursday comes Lepelletier St. Fargeau's Funeral, and passage to the Pantheon of Great Men.
— from The French Revolution: A History by Thomas Carlyle - Giant Mirabeau slumbers in the Pantheon of Great Men: and France?
— from The French Revolution: A History by Thomas Carlyle - but I shall live in the Pantheon of History."
— from The French Revolution: A History by Thomas Carlyle - Some four months in this Pantheon, Temple of All the Immortals; then to the Cesspool, grand Cloaca of Paris and the World! '
— from The French Revolution: A History by Thomas Carlyle - Note 572 ( return ) [ The baths of Nero stood to the west of the Pantheon.
— from The Lives of the Twelve Caesars, Complete by Suetonius - To him Rome is indebted for three of her principal aqueducts, the Pantheon, and several other works of public use and ornament.
— from The New Gresham Encyclopedia. A to Amide by Various - I When the war began, there stood on Cote Joyeuse an imposing mansion of red brick, shaped like the Pantheon.
— from The Awakening, and Selected Short Stories by Kate Chopin
