The word “none” appears in literature as a concise, versatile marker of absence that authors employ to create tone, contrast, or emphasis. In some texts it functions as a pronoun replacing an expected quantity or quality, as when Kipling dismissively notes that “none looked at him save a Hindu urchin” [1] or when Dickens reveals that “there is none” in a particular circumstance [2]. Philosophers and historians, from Hume [3] to Polybius [4], use the term to underscore an absolute negation—implying completeness in what is lacking—while dramatic dialogues in works by Shakespeare [5, 6] and even in humorous or ironic contexts, such as in Maupassant’s brief exchanges [7], illustrate its stylistic power. This multiplicity in function shows that “none” can neatly express absence, unavailability, or negation, serving as a literary tool that is as economical as it is effective.