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Literary notes about muscular (AI summary)

In literature, the term “muscular” is employed both as a descriptor of literal physical strength and as a metaphor for vigor and vitality. It characterizes robust, weather-hardened physiques—as in the portrayal of a strong, resilient man in one narrative [1]—and is equally used to describe detailed anatomical structures, from the large, uncompressed gizzards in zoological observations [2] to the intricate layers of tissue in scientific treatises [3, 4]. At times, the word extends beyond biology to evoke notions of energetic exertion and even creative force, where authors link bodily activity to mental and emotional expression [5, 6]. Moreover, in adventure narratives, a character’s “muscular” build often reinforces heroic or rugged qualities, while in technical discussions it underscores precise mechanisms of contraction and coordination [7, 8].
  1. That he was a muscular man, strong on his legs, and that he was browned and hardened by exposure to weather.
    — from Great Expectations by Charles Dickens
  2. The gizzard of it is large and much less compressed and muscular than in most fowls, in Short it resembles a maw quite as much as a gizzard.
    — from The Journals of Lewis and Clark, 1804-1806 by William Clark and Meriwether Lewis
  3. They have a simple cutaneous muscular layer, developing from the mesoderm.
    — from Paradise Lost by John Milton
  4. There is, however, an invagination of the ectoderm at the mouth, which has given rise to a muscular pharynx ( sd ).
    — from Paradise Lost by John Milton
  5. My most creative moments were always accompanied by unusual muscular activity.
    — from Thus Spake Zarathustra: A Book for All and None by Friedrich Wilhelm Nietzsche
  6. The mental and moral, like the muscular powers, are improved only by being used.
    — from On Liberty by John Stuart Mill
  7. It is a willed, and therefore an intended coordination of muscular contractions.
    — from The Common Law by Oliver Wendell Holmes
  8. If practice did not make perfect, nor habit economize the expense of nervous and muscular energy, he would therefore be in a sorry plight.
    — from The Principles of Psychology, Volume 1 (of 2) by William James

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