Literary notes about maroon (AI summary)
The use of "maroon" in literature is remarkably versatile. It frequently appears as an adjective to evoke a rich, deep hue on fabrics, walls, or natural elements—conjuring vivid visual contrasts as when clouds of maroon loom over a green earth [1] or curtains in a drawing-room imbue the space with somber elegance [2]. The word also serves as a verb, suggesting isolation or abandonment, as in a scenario where a character might be left on a remote island [3] or metaphorically marooned by emotional distance [4]. Additionally, "maroon" functions as a noun, designating a character whose very identity is defined by this striking color, contributing to a sense of otherworldliness or distinction [5] and even lending a touch of irony in adventure narratives [6]. This multiplicity of roles enables authors to seamlessly blend visual description, symbolic isolation, and distinctive character portrayal.
- He turned over the flyleaf and looked wearily at the green round earth in the middle of the maroon clouds.
— from A Portrait of the Artist as a Young Man by James Joyce - It was a large double drawing-room, and nothing but heavy maroon curtains now separated us from the choir practice.
— from Further Experiences of an Irish R.M. by E. Oe. (Edith Oenone) Somerville - Probably he will maroon us on the Catwick, an island I know 136 nothing about, except that it is nearer to Saigon than to Singapore.
— from The Pagan Madonna by Harold MacGrath - "Are we going to maroon Dr. Frank with the passengers?"
— from Astounding Stories of Super-Science April 1930 by Anthony Pelcher - Once more under the ceiba , that gigantic trysting tree, stood the Maroon and his mistress.
— from The Maroon by Mayne Reid - “I'm Ben Gunn, I am,” replied the maroon, wriggling like an eel in his embarrassment.
— from Treasure Island by Robert Louis Stevenson
