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Literary notes about magic (AI summary)

In literature, magic is a multifaceted concept that functions both as a literal power source and as a metaphor for transformation and mystery. In some narratives, it is embodied in tangible objects like magic canes, rings, or talismans that grant wealth, protection, or authority to their bearers [1, 2, 3], while in other texts it represents an inherent human belief in forces beyond the ordinary, as when characters readily ascribe miraculous qualities to the world around them [4]. Moreover, magic can serve as a critical plot device—its spells and incantations often symbolizing both the promise and the peril of venturing into unknown realms, whether by altering fate [5, 6] or even influencing moral transformation [7, 8]. This varied use illustrates how magic in literature continually adapts, reflecting cultural traditions and the perennial human fascination with the inexplicable.
  1. With the help of his magic cane, however, he gets them back, and becomes rich and respected.
    — from Filipino Popular Tales
  2. He then acquires two magic canes (but not by trickery this time).
    — from Filipino Popular Tales
  3. Before they set out, the horse asked her for her magic ring, saying that he would carry it safely for her in his mouth.
    — from Filipino Popular Tales
  4. Such a man readily believes in magic and miracles.
    — from The World as Will and Idea (Vol. 1 of 3) by Arthur Schopenhauer
  5. He then repeated a magic formula that he had learned, and snapped his fingers.
    — from Korean folk tales : by Pang Im and Yuk Yi
  6. It was a talisman, a magic word to conjure with.
    — from Martin Eden by Jack London
  7. Magic takes a sort of professional pleasure in profaning holy things; [79] in its rites, it performs the contrary of the religious ceremony.
    — from The Elementary Forms of the Religious Life by Émile Durkheim
  8. 'Surely,' said she, 'there is some magic in wealth, which can thus make persons pay their court to it, when it does not even benefit themselves.
    — from The Mysteries of Udolpho by Ann Ward Radcliffe

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