The term “feminine” in literature has been employed with great versatility, ranging from its role as a grammatical category—as seen in clear-cut definitions of pronoun and noun gender ([1], [2], [3], [4], [5])—to a modifier laden with cultural, symbolic, and emotional connotations. Writers have used it to evoke softness, charm, and delicacy in character voices and appearances ([6], [7], [8]), while also ascribing to it attributes of mystery, intuition, or even weakness in social and psychological contexts ([9], [10], [11]). Beyond mere description, “feminine” often functions as a conceptual tool in philosophical and socio-political discussions, contrasting it with masculine traits and revealing inherent biases in perceptions of gender ([12], [13], [14]). Thus, whether pointing to physical features, grammatical structure, or abstract ideals, the word “feminine” becomes a multifaceted symbol through which authors negotiate ideas of identity, power, and cultural norms ([15], [16], [17]).