The term "deception" appears in literature as a versatile motif that both complicates character relationships and questions reality itself. In philosophical works, authors like Schopenhauer and Nietzsche ponder self-deception and the seductive distortions of truth, suggesting that our perceptions are often clouded by inner desires or misguided impressions ([1], [2]). In narrative fiction, deception serves as a catalyst for plot and moral inquiry, from Dickens’s portrayal of systematic deceit to Conan Doyle’s examinations of disguise and betrayal ([3], [4]). It also emerges as a commentary on social and personal integrity, as seen in texts where characters grapple with the consequences of false appearances or the inevitable masks they adopt in life ([5], [6]).