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Literary notes about context (AI summary)

In literature, "context" is employed as a vital framework that breathes life into words and phrases, revealing their most authentic meanings. Authors argue that a term cannot be fully grasped when isolated from its surrounding textual and cultural environment, a sentiment famously echoed when Tolstoy insists that words lose their essence outside of their context [1]. Furthermore, many thinkers and translators emphasize that meanings are not static; they shift and evolve in response to the immediate linguistic and situational cues, thereby demanding careful interpretation within the broader narrative [2, 3]. This dynamic is evident in critical discussions where the intended sense of a metaphor or a grammatical nuance is illuminated only when the entire discourse is taken into account [4, 5]. Ultimately, whether in probing ancient texts, refining translations, or approaching modern psychological analysis, attention to context remains indispensable for uncovering the layered interconnections that give depth and precision to language [6, 7].
  1. He did not, and could not, understand the meaning of words apart from their context.
    — from War and Peace by graf Leo Tolstoy
  2. A sign transfers a meaning ( c ) When a meaning is detached and fixed by a sign, it is possible to use that meaning in a new context and situation.
    — from How We Think by John Dewey
  3. The 'meaning' of a word taken thus dynamically in a sentence may be quite different from its meaning when taken statically or without context.
    — from The Principles of Psychology, Volume 1 (of 2) by William James
  4. By the context, he would seem to consider “great spirit” and “virtue” as convertible terms.
    — from Bacon's Essays, and Wisdom of the Ancients by Francis Bacon
  5. The relative pronoun may be in any case required by the context, and may represent any of the three persons.
    — from A Latin Grammar for Schools and Colleges by George Martin Lane
  6. These lines, detached from their context, are familiar to everyone; but, in the Tempest , they are dramatic as well as poetical.
    — from Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. Bradley
  7. The facts had been torn to pieces by being taken out of their context.
    — from Democracy and Education: An Introduction to the Philosophy of Education by John Dewey

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