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Literary notes about charcoal (AI summary)

In literary works, "charcoal" is often invoked as a color that conveys a muted, somber darkness—a hue that is both rich and profound. Authors employ it to evoke a visual texture or mood; for example, one passage describes how a character “blackened all the bright colors with charcoal” to counteract vibrancy and introduce a shadowy intensity [1]. In another instance, a character’s hair is depicted as “well saturated with charcoal paste,” suggesting an almost mystical, altered hue that hints at inner depth and melancholy [2]. Meanwhile, the image of “fingers soiled like charcoal” reinforces a visual metaphor for imperfection and the lingering traces of hardship [3]. Even as a descriptor in character epithets—as in the term “sooty charcoal woman”—the color is employed to evoke an appearance marked by ashen, enigmatic beauty [4]. Together, these examples illustrate how the color “charcoal” enriches literary imagery by lending a layered, dark aesthetic to both scenes and characters.
  1. When Raven looked away, Coot quickly blackened all the bright colors with charcoal.
    — from Myths and Legends of Alaska
  2. The chevelure of Sure-shot, well saturated with charcoal paste, assumed a different hue.
    — from The Wild Huntress: Love in the Wilderness by Mayne Reid
  3. These soil the fingers like charcoal, and usually show the vegetable forms distinctly.
    — from Common Minerals and Rocks by William O. (William Otis) Crosby
  4. "Who would say that the charcoal woman, Sooty, sooty charcoal woman, In all the city and all the land Could find a lover to kiss her hand?
    — from Spanish Highways and Byways by Katharine Lee Bates

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