Writers employ "bay" with remarkable versatility, using it to evoke both the natural majesty of coastal inlets and more abstract states of confinement. In some narratives, it denotes a picturesque or melancholic body of water—as in the evocative Bay of Naples that stirs deep emotions [1] or the expansive Chesapeake Bay that anchors historic conflicts [2]. In other contexts, "bay" functions as a spatial marker for navigational challenges or territorial boundaries, guiding characters through perilous passages [3, 4]. Moreover, the term even finds its way into architectural descriptions, lending a poetic air when a room melts into a bay window framed by heavy drapery [5]. This multiplicity of meanings enriches literary landscapes by linking geography, emotion, and design in a single evocative word.
- For no reason, but the sunrise, the bay of Naples, the sea—you look at them and it makes you sad.
— from Crime and Punishment by Fyodor Dostoyevsky
- Chesapeake Bay and its entrance, being without strong posts, were in the power of any fleet that appeared against them.
— from The Influence of Sea Power Upon History, 1660-1783 by A. T. Mahan
- We then sounded the bay back and forth, and staked out the best channel up Suisun Bay, from which Blair made out sailing directions.
— from Memoirs of General William T. Sherman — Complete by William T. Sherman
- But the entry into the bay, occasioned by rocks on the one hand and shallows on the other, is very dangerous.
— from Utopia by Saint Thomas More
- The room was old and large, very imperfectly lighted, and terminated in a bay window, about which hung some heavy drapery.
— from Nicholas Nickleby by Charles Dickens
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